Marona's Fantastic Tale
Marona's Fantastic Tale


L'extraordinaire voyage de Marona (Marona's Fantastic Tale) | Anca Damian | France, Romania, Belgium | 2019 | 92 min
NORTH AMERICAN
PREMIERE

“If no one has a better idea, I’ll take a moment to rewind the film of my life.” Marona’s life story is a sadly familiar one; neglect, abuse, abandonment, depression, and unrequited love define it. Marona recounts the highs and lows of her time with her humans. The acrobat who included her in his amazing feats, the construction worker who nursed her back to health, and the little girl who would be there for her in the end. Matching the unpredictable life of the canine protagonist, the vibrant animated world swirls around her; sometimes full of wonder, other moments fear. Marona carries the memories and emotional damage of each human relationship with her to the next. She may be a dog but this feels like a woman’s story.


"Matching the unpredictable and erratic life of our canine protagonist, the backgrounds are intense, vivid dreamscapes that capture a raw, blinding and disorientated existence that fuses memory, nightmare and dream."
- Chris Robinson, AWN

Individual tickets will be available online and at the door.

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« Si personne n’a de meilleure idée, je prendrai bien un moment pour rembobiner le film de ma vie. » L’histoire de la vie de Marona est tristement familière : la négligence, l’abus, l’abandon, la dépression et l’amour non partagé la définissent. Marona raconte les hauts et les bas de sa vie avec les humains. L’acrobate qui l’a incluse dans ses impressionnants exploits, le travailleur de la construction qui l’a remise sur pieds, puis la petite fille qui serait là pour elle à la fin. Le monde animé vibrant, qui concorde avec la vie imprévisible de la protagoniste canine, l’entoure, parfois rempli d’émerveillement, parfois de peur. Marona transporte les souvenirs et le dommage émotif de chaque relation avec un humain, à la prochaine. Elle n’est peut-être qu’un chien, mais nous avons l’impression de voir l’histoire d’une femme.

Des billets individuels seront disponibles sur notre site internet et à la porte.

RATED 14+

Friday, September 27 — 5:00 pm

Saturday, September 28 — 11:00 am (GALA)




About the Director:
Anca Damian studied at the Academy of Theatre and Film Arts where she obtained a diploma in Cinematography and a Doctor’s degree in Arts, Cinema and Media. After graduating, she worked as a director, screenwriter and producer for several documentaries on art related topics, and also as a director of photography for two long feature films, and many other documentaries and short films. In 2008, she made her first long feature film as a director, screenwriter and co-producer, Crossing Dates/Intalniri Incrucisate (2008), a layered story that made Jay Weisseberg write in Variety “ keep your eyes on Anca Damian”. The film was selected in international film festivals like Busan, Chicago, Goa, Cottbus, Goteborg and Rome.

In 2012, her second feature as Director, screenwriter and producer, Crulic – The Path To Beyond / Crulic Drumul Spre Dincolo, received international success. Both the autobiographic narration and the experimental form ensured the Kafkaesque movie favour of many festival selectors – Locarno, Telluride, BFI London Film Festival, Annecy, Busan, New Directors/New Films in New York among others 250 festivals. The movie got more than 35 international prizes, among which the Cristal Award in Annecy.

In 2013, her next feature, A Very Unsettled Summer/O Vara Foarte Instabila an innovative look up on a Pirandello - inspired love triangle, was an English - speaking film with international cast : Kim Bodnia, Jamie Sives and Ana Ularu. The coproduction also gathered Romanian, Swedish, Czech and UK partners.

In 2015, her second animated feature The Magic Mountain/Muntele Magic continues to establish Anca Damian’s visual innovation style combined with strong topics. The story of a Don Quixote in Afghanistan is also the second film of a trilogy that started with Crulic. It world premiered in Annecy, and had its international premiere in Karlovy Vary IFF international competition. It was selected in more than 60 festivals, such as San Sebastian, Leipzig, Amiens, Busan and won 11 international prizes. Anca Damien was also the first to receive the Audentia Award in 2016 offered by Eurimages, which intends to celebrate women who have had the courage to become a director, by giving their work greater visibility and inspiring other women to follow in their footsteps.

In 2018, her most recent live action feature Moon Hotel Kabul premiered in Warsaw IFF, where it received the Best Director accolade, while her latest short animated feature The Call travelled the world in 40 international festivals, among which Annecy, Toronto, Sundance, and won 5 international prizes.

She was awarded the Mirada International Award in Madrid International Film Festival 2018 – New Directors Platform, for being “a total creator, a true landmark and an unchallenged inspiration for new directors”.

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Reviews & Articles:
Cineuropa
The Hollywood Reporter